One of the most famous is Disneyland, which he describes as a "perfect model of all the entangled orders of simulation." For Baudrillard, Disneyland is not a representation of reality but a simulation that creates its own reality. Often we call pretty things “art” because they give us an idealized image of something.īaudrillard uses several examples to illustrate his theory of simulacra and simulation. He argues that this process of simulation is not simply a distortion of reality but represents a fundamental shift in the way we experience the world. In his view, this process has become increasingly dominant in contemporary society, to the point where we are surrounded by simulations that bear no relation to the reality they are supposed to represent. Simulation, for Baudrillard, is the process by which reality is replaced by representations that are disconnected from it. The artwork is based on some original sign, but has little or nothing to do with the work that results. Instead, they create their own reality, which may bear little or no relation to the world we inhabit. According to Baudrillard, simulacra are the result of a process of simulation, in which representations are created that do not refer to any original reality. In other words, a simulacrum is a representation that has lost its connection to the reality it was meant to represent. Baudrillard's concept of simulacra refers to copies of reality that are no longer based on any original referent. Let’s examine Simulacra and Simulation then return to this idea of the artist.
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